Metallia on Music in Widescreen Radio with Mark Monforti on
by on September 10, 2018 in Metallia Radio

Music in Widescreen an internet radio show and podcast featuring epic progressive rock tracks from past and present broadcasting at

Sundays 6-9pm CST Sundays hosted by Mark and Rayna Monforti.

On Episode #766: “Kamelot’s – The Shadow Theory” Mark played “Resurrection” from “Metallia” among such greats and legends as Kamelot, Steve Wilson, Phildeaux, Riverside, The Flower Kings, Porcupine Tree and more.

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18:00:14Shadow GalleryThe Andromeda Strain6:43Room V2005Brendt AllmanInside Out Music41
18:11:46Simon SaysAs the River Runs10:26Tardigrade2008FäldtProg Rock43
18:22:11The Cyberiam5:49The Cyberiam201846
18:31:23KamelotThe Mission1:30The Shadow Theory201844
18:32:53KamelotPhantom Divine (Shadow Empire)4:02The Shadow Theory201843
18:40:45FishThe Perception of Johnny Punter8:28Sunsets on Empire [Bonus Track]1997Derek William DickSnapper Classics45
18:51:11Crystal PalaceInside The Box5:22Scattered Shards201843
18:59:02KamelotAmnesiac3:34The Shadow Theory201840
19:08:05DamanekLong Time Shadow Falls7:43On Track38
19:15:48FINAL REAL RADIO ID.L0:1738
19:16:05Discipline.Circuitry6:16To Shatter All Accord2011Strung Out Records38
19:24:46NEMOAux portes du Paradis2:20R€VOLU$ION2011G. FontaineQuadrifonic38
19:27:10Von Hertzen BrothersThe Climb4:27Nine Lives2013Spinefarm UK38
19:31:38HekzThe Devil’s Coin14:58Invicta201840
19:50:47Electric StoveHail2:26Hail, Starfighter201841
19:53:13KamelotMindFall Remedy3:19The Shadow Theory201840
19:56:32The BridgeForgiveness3:38Reunion201838
20:04:24IO EarthSolitude7:44Solitude201837
20:20:25Zengiun747 CD V24:48Kensho34
20:25:20Steven Wilson07-Regret4:44Hand Cannot EraseSteven WilsonKscope36
20:30:03RiversideO2 Panic Room5:26Rapid Eye Movement [Bonus Tracks]2007Mariusz DudaInside/Out37
20:36:36The Flower KingsThe Resurrected Judas8:23Desolation Rose201338
20:44:59Porcupine TreeWaiting Phase Two5:56Signify1997Steven WilsonVital Soul39
20:54:56KamelotThe Proud and The Broken6:21The Shadow Theory2018

Unboxing Metallia with Mark Monforti


Here’s what some early reviewers say about ‘Metallia’:

“If you put Kate Bush, Auf Der Maur, Ayreon, Chiasmata, Igorrr, old White Zombie and Amogh Symphony in a blender with several metronomes running different time signatures, add a healthy dash of thrash riffs to the proggy mix and baked the resulting mixture for several hours you probably wouldn’t even come close to the sound.” – Lee Davidson – Prog Metal Madness

‘Metallia’ is what it is, not music for fragile souls but an evanescent storm of instrumental music (the voice being used not for words, but as sound) that will suit the enthusiast of powerful, progressive and experimental music.” – Rinco Ennema ~ Rock Affairs

“Do you get bored quickly by the standard prog metal music offer? that will not happen to you with ‘Metallia’! – Herman Beunk – Xymphonia

“Oh wow! What the bloody hell’s going on here then? Freshness. Uniqueness. Boldness. An outlier! Call it what you like, but this is anything but your typical run of the mill, bog standard, meat and potatoes, vanilla-like metal.” – K-MaNriffs- Blessed Altar Zine

“Chaos becomes order, the mind blowing ‘Metallia’ by Oh. – Martin Hutchinson ~ Progradar

An interesting well thought out project from a talented-mult-instrumentalist ~ Geoff Penn ~Progplanet

“Cacophonous, complex, illustrative, dense, awash in radiance, terrifying, challenging- all of it driven by the taut, ferocious guitar work and instrumental mastery demonstrated by Ms. H. Waves of feminine choral sounds weave in and out of the tapestry, washes of intensity rarely relenting, leading me to recall why at one point in my younger days I was strongly drawn to consider using psychedelic drugs. Mind expansion, spirit expansion. Transcendence. Enlightenment. ~ Stephen Conrad – Progressive Rock Fanatics–Progarchives

After some interrogations the EP grows on you, which gives us music in a little different vintage, so for the curious, just release the handbrake and discover! ~ Conny Myrberg –

Metallia has already drawn the attention of progressive circles, but they have yet to analyze the enigmatic, versatile, bold, suspiciously attractive style of its music.This is one of those circumstances where you think you have heard something similar before, but you can not parallel it with something recognizable. Her material sounds “metallized”, adventurous, and has a cinematic affinity. Above all, however, the sound is disruptive, the vocal injections arouse this impact. Clearly interesting, in a sense, it could be co-production of Shrapnel and 4AD. Check it out. ~ George Politopoulos – Flight of Pegasus

Olivia Hadjiioannou is always up for a surprise… After the quite heavy “Synemotion” album, she released a couple of distinctly art rock oriented singles. However, her latest EP is quite different from everything we have heard of her before: It’s a tour de force into high-grade prog metal realms with shredding guitars, sinister vocal layers, and unexpectedly transforming rhythm patterns. All music composed by Oh. All instruments played by Oh. An overwhelming one-woman show! Favorite track: Androgyny. ~ Sven B. Schreiber

This girl isn’t afraid to sound unique with this gorgeous, mind expanding instrumental feast of experimental prog metal gifted with shredding riffs, eastern vibes, ethereal interludes and dramatic shifts in pace and complexity. There’s no empty virtuosity here though, since everything flows together into one sonic experience that never ceases to sound warm, emotional and organic. An ambitious and compelling endeavour. Favorite track: Androgyny. ~Sauro Fabi

Listening to Metallia, expect to be unexpected. Nothing is obvious here, nothing sounds as you would expect, and surprise is surprising. ~ Artur Chachlowski of MLWZ

Neither guitar hero nor singer metal, OH. invents a progressive rock art metal where Olivia’s guitar is queen, sometimes supplanted by her war cries sung like a second guitar. An extraordinary musical experience, extreme for canterbury fans, so to discover absolutely. ~ Jean-Christophe – Neoprog

What Oh. screams out of her guitar is not for the faint-hearted, by the constant stream of trash riffs this is a dirty Steve Vai or a vicious Joe Satriani but with balls or better said without balls or at least as well. It is unsettling in the metal scene when a longhaired guitarist turns out to be a woman in the end…Her voice meanders from mood to emotion. From fear to love. The songs do not have a standard structure but are textures like the wandering Etesian winds that so often thrash the Aegean Sea. ~Jos Driessen – Progwereld

An excellent example of how instrumental guitar albums can still sound inspired and interesting. ~ Jupiter Variation

Only after a few passages does the open music lover begin to discover that the pieces are multi-layered and rich in detail and that the electric guitar is only used as one means of expression among many. Besides the parts for the guitars and drums, one discovers the ethnically coloured percussion, the creative rhythms and breaks and the polyphonic, mostly very wild vocals as well as the more extreme and unusual sounds that one can elicit from the human vocal cords. Now and then symphonic keyboard chords shimmer through and seem to suggest recognizable structures in the often shamanic songs. In such moments the voice of Oh. may remind of some well-known singers, most probably Kate Bush.

Thus, in parts the music reveals a rather experimental character. Like “Bee”, for example, which begins with solos for the acoustic guitar and then develops into an almost apocalyptic-appearing, sometimes industrial-influenced moods, which give an idea of the considerable depth that seems to have been created for the spatial mixing. ~ Siggy Zielinski – Babyblauen Seiten

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