The Inspiration Behind the Making of “Red Lion” by Oh.

Scenes from “Red Lion” Inspired by Federico Fellini’s, “8 1/2”, Lewis Carroll’s, “Alice in Wonderland”, Maurice Sendak’s, “Where the Wild Things Are”, Antoine de Saint-Exupéry’s, “The Little Prince”, the ancient Greek myth of Icarus, Leonardo da Vinci’s, “Mona Lisa”, the Wachowskis, “The Matrix”, Alfred Hitchcock’s, “The Birds”, Frank Herbert’s “Dune”, Quantum Gravity Research’s Emergence Theory E8 Crystal and DC Comics, “Wonder Woman”.

Poster "Red Lion" Music Video Oh. Olivia Hadjiioannou

Red Lion has the inner Fire but only in potential. He eats matter when given his freedom and does the work of Nature. He inspires intelligence, imagination and life but he can not escape the prison of the Earth plane and can not free himself though his own power. A special key is necessary to dissolve the chains of the Earth.

Director/composer Olivia Hadjiioannou (aka Oh.) presents a consciousness-expanding visual and acoustic odyssey within a multidimensional psychedelic landscape.

Inspired by scenes from Federico Fellini’s, “8 1/2”, Lewis Carroll’s, “Alice in Wonderland”, Maurice Sendak’s, “Where the Wild Things Are”, Antoine de Saint-Exupéry’s, “The Little Prince” and ancient Greek myth.

“Red Lion” is the first in a six-part series of animated music videos by the multi-instrumentalist, Oh. for the progressive metal album “Metallia“.

Fellini inspired scenes in “Red Lion”

Fellini - Red Lion by Oh. Olivia Hadjiioannou
Fellini - Red Lion by Oh. Olivia Hadjiioannou
Fellini - Red Lion by Oh. Olivia Hadjiioannou
Fellini - Red Lion by Oh. Olivia Hadjiioannou

Frederico Fellini

“Where was my “magic”? Now what do I do? I asked myself. But myself didn’t answer. I listened to a fountain and the sound of the water, and tried to hear my own inner voice. Then, I heard the small voice of creativity within me. I knew.”

“I am not saying that an artist is not somewhat the same. He, too, is a witness. He just doesn’t exercise it so directly, so painlessly as a journalist. There is greater engagement because that which is witnessed is lived at more intense levels, more profound, sometimes mythical levels. One interprets, not just witnesses. But a creator, too,, is protected in times of tempest, in times of mourning. It all becomes ascetic, painless, through the interpretation needed for expressing it. Expression is a filter of a providential, protective sort, through which all passes: emotions, shocks, anger, fears, defeat, love, tenderness, ideologies, absorbing some of the pain. Other small dramas take up some of the slack: the drama of “how” to express, “how” to communicate.. Thus your problems with reality, with sentiments, the problem of being, after all, just a weak human creature and a small cog in society, suddenly turn into aesthetic problems. A sort of transference, delegating and burdening it all on to the back of another preoccupation, creates a new way of living it, an expressive way, which keeps you, to some degree, from being hurt. The sieve of expression redimensions the drama.

Protected by the myth of it. Being involved in realizing a dream. It is the same as a group working on a scientific problem and solving it or involved in geographical research and discovering a new continent, or the more common ideal of inventing and materializing a social form, working out a philosophical problem or creating a work of art. The myth of realization protects by involving you in something bigger than yourself; the aim,. the achievement of the goal.

We are educated to produce, to judge by the achieved, and this causes our unhappiness. If we stopped working for a goal and started working for the sake of work, we might get closer to some form of psychic health. Out functional education claims there is an achievement out there which needs to be reached, but of course there isn’t. All there is, is the trip of going out there. That is probably the main reason why I do not like to talk about the films I have already made, or about their after-life. It’s not so much the questions about the past, about the things I have put behind me, but I have a feeling that concern with my past work holds me back, keeps me from continuing the trip beyond the oasis. After all, what have I come here to do? I want to go on, keep going. You know yourself the meaning of the caravan….

I have often talked about the moment, usually occurring sometime during the final mixing, when I suddenly feel the film has become autonomous. Birth (sorry to sound banal and romantic!) has occurred, and although I may still be sitting there like an octopus with my arms extended across all the levers of the volume controls, in order to give the child its final push and life’s breath, giving it the heartbeat like Frankenstein sucking up stellar energy, and despite the fact that I still identify with it completely in all its molecules, I now feel it plopping out of me, inexorable and forever. The life-giving has now occurred.

Then there comes this moment of perception, of clarity;; you have done your best, have protected it, wanted it, guided it, controlled all its details, given it everything of yourself, programming its minutest elements, leaving nothing to chance, and suddenly it gets away from you. It is breathing on its own now. And from that moment on I feel no particular relation to it, no father-feeling. From this moment the life of this creative, this friend, this monster, this approximate form of life, interests me only little.

I would be lying to you if I said that I don’t care how well it does outside, whether it makes its way, meeting friends, or what. It pleases me of course if it arouses sympathies. I prefer for it to walk than to collapse. But I no longer feeling linked to it. This makes it hard for me to talk about it and to comment on it It seems vaguely indecent to me to do so. And st because I am the one who made it. I don’t have the feeling that I am really authorized to discuss it. Somehow at that point I feel I know it less well than others do.

The creative act needs restraints, requires a certain kind of bondage, of chains. These are the indispensable ingredients for the growth of the dream, the tensions, the utopia, and for making it possible to feel one’s way with secure intuition into other states of consciousness and into other dimensions.”

Federico Fellini: “The Cinema Seen as a Woman…”: An Interview on the Day “City of Women” Premiered in Rome
Gideon Bachmann and Federico Fellin

Leonardo da Vinci inspired scenes in “Red Lion”

Leonardo da Vinci

Quickening the spirit of invention

On cultivating creativity. Leonardo da Vinci in “A Treatise on Painting” advised,

“You should look at certain walls stained with damp, or at stones of uneven colour. If you have to invent some backgrounds you will be able to see in these the likeness of divine landscapes, adorned with mountains, ruins, rocks, woods, great plains, hills and valleys in great variety; and then again you will see there battles and strange figures in violent action, expressions of faces and clothes and an infinity of things which you will be able to reduce to their complete and proper forms. In such walls the same thing happens as in the sound of bells, in whose stroke you may find every named word which you can imagine.”

Matrix inspired scenes in “Red Lion”

The Matrix

“This is your last chance. After this, there is no turning back. You take the blue pill—the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill—you stay in Wonderland and I show you how deep the rabbit-hole goes.”

“I’m trying to free your mind, Neo. But I can only show you the door. You’re the one that has to walk through it.”

“Have you ever had a dream, Neo, that you were so sure was real? What if you were unable to wake from that dream, Neo? How would you know the difference between the dream world and the real world?”

“What you know you can’t explain, but you feel it. You’ve felt it your entire life, that there’s something wrong with the world. You don’t know what it is, but it’s there, like a splinter in your mind, driving you mad.”

Alice in Wonderland inspired scenes in “Red Lion”

Alice in Wonderland

“Alice: Would you tell me, please, which way I ought to go from here?

The Cheshire Cat: That depends a good deal on where you want to get to.

Alice: I don’t much care where.

The Cheshire Cat: Then it doesn’t much matter which way you go.

Alice: …So long as I get somewhere.

The Cheshire Cat: Oh, you’re sure to do that, if only you walk long enough.”

― Lewis Carroll, Alice in Wonderland

Icarus inspired scenes in “Red Lion”

The Myth of Icarus

Ovid’s Metamorphoses – Book VIII

“And as he worked , boy Icarus stood near him.
His brilliant face lit up by his father’s skill.
He played at snatching feathers from the air
And sealing them with wax (nor did he know
How close to danger came his lightest touch):
And as the artist made his miracles
The artless boy was often in his way.
At last the wings were done and Daedalus
Slipped them across his shoulders for a test
And flapped them cautiously to keep his balance,
And for a moment glided into air.
He taught his son the trick and said, “Remember
To fly midway, for if you dip too low
The waves will weight your wings with thick saltwater,
And if you fly too high the flames of heaven
Will burn them from your sides. Then take your flight
Between the two. Your route is not toward Boötes
Nor Helice, nor where Orion swings
His naked sword. Steer where I lead the way.”

Dune inspired scenes in “Red Lion”

Dune

“I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.”

~Bene Gesserit Litany Against Fear.

“The trance-state of prophecy is like no other visionary experience. It is not a retreat from the raw exposure of the senses (as many trance states) but an immersion in a multitude of new movements. Things move. It is an ultimate pragmatism in the midst of Infinity, a demanding consciousness where you come at last into the unbroken awareness that the universe moves of itself, that it changes, that its rules change, that nothing remains permanent or absolute throughout all such movement, that mechanical explanations for anything can work only within precise confinements and, once the walls are broken down, the old explanations shatter and dissolve, blown away by new movements. The things you see in this trance are sobering, often shattering. They demand your utmost effort to remain whole, and even so, you emerge from that state profoundly changed.”

~The Stolen Journals

The Little Prince inspired scenes in “Red Lion”

Le Petit Prince

“Supposing I know of a flower that is absolutely unique, that is nowhere to be found except on my planet, and any minute that flower could accidentally be eaten up by a little lamb, isn’t that important? If a person loves a flower that is the only one of its kind on all the millions and millions of stars, then gazing at the night sky is enough to make him happy. He says to himself “My flower is out there somewhere.” But if the lamb eats the flower, then suddenly it’s as if all the stars had stopped shining. Isn’t that important?”

“You are beautiful, but you are empty. One could not die for you. To be sure, an ordinary passerby would think that my rose looked just like you — the rose that belongs to me. But in herself alone she is more important than all the hundreds of you other roses: because it is she that I have watered; because it is she that I have put under the glass globe; because it is she that I have sheltered behind the screen; because it is for her that I have killed the caterpillars; because it is she that I have listened to, when she grumbled, or bloated, or even sometimes when she said nothing. Because she is my rose.”

“It’s the time you spent on your rose that makes your rose so important…People have forgotten this truth, but you mustn’t forget it. You become responsible forever for what you’ve tamed. You’re responsible for your rose.”
― Antoine de Saint-Exupéry, The Little Prince

Ε8 inspired scenes in “Red Lion”

Emergence theory

“If you think of a movie, the moving-image is composed of single, frozen frames that are filmed and projected at a certain speed (24 frames per second in most modern movies). In our model, one second contains 10^44 frozen frames. Over many of these frames patterns emerge on the 3D quasicrystal. These patterns become more and more meaningful and sophisticated with time. Gradually patterns resembling and acting as particles form on the quasicrystal. In fact, one of the most groundbreaking predictions emergence theory will make is about a specific, pixelated substructure of electrons––particles currently thought of, without proof, as dimensionless. With time, these particles take on more and more complex forms, and eventually the reality we all know and love emerges.”

“There are no known laws in physics that place an upper limit on what percentage of the universe can exponentially self-organize into freewill systems such as us humans. Indeed, physics allows the possibility that all the energy of the universe can be converted into a single, conscious system that itself is a network of conscious systems. Given enough time, what can happen will eventually happen. By this axiom, universal emergent consciousness has emerged via self-organization somewhere ahead of us in 4D spacetime. And because it is possible, it is inevitable. In fact, according to the evidence of retro-causality time loops, that inevitable future is co-creating us right now just as we are co-creating it.”

Emergence Theory General Overview in Layperson Terms

A few more inspired scenes in “Red Lion”

The Birds (1963, Alfred Hitchcock)

The Birds (1963, Alfred Hitchcock)

Where the Wild Things Are (1963, Maurice Sendak)

video

Wonder Woman (1975, TV Series)

video

References

1. (1963, Federico Fellini)

2. Mona Lisa (c. 1503–1506, Leonardo da Vinci)

3. The Matrix (1999, The Wachowskis)

4. Alice’s Adventures in Wonderland (1865, Lewis Carroll)

5. Metamorphoses – Book VIII The Myth of Icarus (8 AD, Ovid)

6. Dune (1965, Frank Herbert)

7. Le Petit Prince (1943, Antoine de Saint-Exupéry)

8. Quantum Gravity Research Emergence Theory

9. The Birds (1963, Alfred Hitchcock)

10. Where the Wild Things Are (1963, Maurice Sendak)

11. Wonder Woman (1975, TV Series)

RED LION by Oh. Olivia HadjiioannouRED LION

Red Lion has the inner Fire but only in potential. He eats matter when given his freedom and does the work of Nature. He inspires intelligence, imagination and life but he can not escape the prison of the Earth plane and can not free himself though his own power. A special key is necessary to dissolve the chains of the Earth.

Director/composer Olivia Hadjiioannou (aka Oh.) presents a consciousness-expanding visual and acoustic odyssey within a multidimensional psychedelic landscape.

Inspired by scenes from Federico Fellini’s, “8 1/2”, Lewis Carroll’s, “Alice in Wonderland”, Maurice Sendak’s, “Where the Wild Things Are”, Antoine de Saint-Exupéry’s, “The Little Prince” and ancient Greek myth.

“Red Lion” is the first in a six-part series of animated music videos by the multi-instrumentalist, Oh. for the progressive metal album “Metallia“.

“Red Lion” Winner French Riviera Film Festival 2019
“Red Lion” Winner Independent Talents International Film Festival 2019
“Red Lion” Winner Cosmocinema Film Festival 2019
“Red Lion” Winner Paleochora Lost World Short Film Festival 2019
“Red Lion” Winner The Psychedelic and Transpersonal Film and Music Festival 2019
“Red Lion” Finalist Oniros Film Awards® 2019
“Red Lion” Semi-Finalist Light & Future International Film Festival 2019
“Red Lion” Semi-Finalist Indie Visions Film Festival 2019
“Red Lion” Official Selection Athens Marathon International Film Festival 2019
“Red Lion” Official Selection Solaris Film Festival 2019
“Red Lion” Official Selection Insomnia International Animation Film Festival 2019
“Red Lion” Official Selection The Lift-Off Sessions 2019
“Red Lion” Official Selection Music Shorts Film Festival 2019
“Red Lion” Official Selection Aphrodite Film Awards 2019
“Red Lion” Official Selection Los Angeles CineFest 2019

© 2025 olitunes.com All rights reserved Privacy Policy • Terms of Service